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Dorle Soria
Dorle Jarmel Soria (December 14, 1900 – July 7, 2002)〔Date of birth and death available from the Social Security Death Index.〕 was a publicist, producer of classical music recordings, and journalist. With her husband Dario Soria, she co-founded Cetra-Soria Records and Angel Records.
== Early career, artists' manager ==
A graduate of Columbia University, she worked as a journalist before the concert manager Arthur Judson hired her to manage publicity for his company (which later became the talent management company Columbia Artists Management). She was press manager and publicist of the New York Philharmonic which Judson managed. She played a significant role in establishing the stature of Arturo Toscanini, then the music director, during the orchestra's 1930 European tour. She promoted events such as Leonard Bernstein's 1943 Philharmonic debut and the orchestra's 1951 European tour.〔David Hamilton, "Dorle Jarmel Soria," ''Opera News'' 67 (Oct. 2002), p. 84.〕 In 1942, she married Dario Soria, who had emigrated to the United States from Italy several years earlier.〔"Dorle Jarmel A Bride," ''New York Times'' (Jul. 28, 1942), p. 13.〕
In 1946, as part of her efforts at promotion at Columbia Artist Management, she co-founded with Nelson Lansdale ''Artist Life'', a magazine intended for managers and other heads of music organizations and agencies.〔"Literati: Longhair News Monthly," ''Variety'' (Aug 21, 1946), p. 61.〕 Columbia's board of directors put an end to ''Artist Life'' in the fall of 1949, citing 6,000 readers but a deficit of between $6,000 and $7,000.〔"Literati: Artist Life Folds," ''Variety'' (Oct. 26, 1949), p. 24.〕 When Boris Morros asked her opinion on which instrumentalist to include in his forthcoming film ''Carnegie Hall'', Soria suggested the cellist Gregor Piatigorsky, not realizing that Morros had been one of Piatigorsky's teachers.〔"The Right Answer," ''Variety'' (Jul. 31, 1946), p. 9.〕
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